As modern Jazz goes, The Roller Trio have exploded onto the
scene. This Leeds-based three-piece were picked up part way through 2012 by BBC
introducing, and immediately their album was picked up for nomination at the
Mercury Awards and the MOBOs. It’s easy to see why; the album immediately kicks
off in fine style. De-ep Heat opens with James Mainwairing’s saxophone
explorations transforming into a heavy groove based track which definitely sets
the pace for the whole album. Interesting, electronic soundscapes,
Jazz-inspired saxophone lines and heavy, funky grooves are the order of the
day. The music on this album is heavily based on repeated riffs, which meander
into expressions and explorations of the way in which the basic, original ideas
can be altered.
For these three graduates of Leeds College of Music, the
music controls everything- the odd use of punctuation in the song titles giving
the names the same stops and starts as the tracks themselves (The Na-il Tha-t
Stan-ds Up, A Dark Plac-e To T-hink), and the cover art coming from tying a pen
to their speakers whilst the album was playing and letting the motion of the
music create the image. The punctuation in the music shows where riffs change,
and where tracks either slow down, or when the band returns to a single idea
from group improvisations, creating a sense of structure in the compositions.
This album is a visceral new route that these modern Jazzmen
are experimenting with, mixing the old with the new and creating a unique,
angular approach to an older style.
7/10
7/10
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