Described as “David Bowie meets Rage Against the Machine”, Pink Narcissus’ album Blood on the Page does provide a heavy dose of noisy, artsy rock music, which matches the poetic vocals and deep voice of David Bowie and a heavy, electric side with a funkier edge, which is more associated with Rage Against the Machine.
Full of fuzzy guitars and experimental sounds using feedback, the album provides a heavy rock riffs and rapid beats, whilst covering it with semi-choral lines and a frantic style of singing which brings across an eloquent form of anger and angst which is more effecting than other forms of “angry” music.
The six tracks presented on Blood on the Page are an interesting mixture of heavy, effects laden rock, complete with nods to more synth based styles from the 1980s, which makes the album engaging and eclectic. Pink Narcissus’ songwriting allows for massive changes in feel, tempo, and style, even within songs, with ‘The Great Divide’ alternating between heavier sections and occasional melodic areas. ‘Kingdom of the Blind’ also, starts with a series of seeming noises before a stricter rhythm begins, whilst a powerful bass which gives more than a passing nod to more electronic forms of music slowly builds up. This creates a powerful and atmospheric piece of music which really shows off the experimental nature of the band.
Overall, this is an interesting album, with off kilter-rhythms and occasionally disturbing sonic passages.