![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBPwBfs40Sz2gvs3KMWolDUT81ONfAD1-5h3L19hZad00azsoBPhKYYGkO33C1aOP0H7KnWIOL2KdEABtwdc1tjsZdbfFl5nGierM92Na6PRdg6cZxElmr8TtxX-_nwGUzSDHtKMACzkM/s320/Steve+Reich.jpg)
Reich, who,
from the late 1960s, was key in the moving classical music into the 21st
century, pioneering the use of electronics, minimalist and experimental styles,
came to Sussex University to talk about his work WTC 9/11. Written in 2009 in memorial to the World Trade Centre
bombings, the piece uses a mixture of a string quartet with samples of documentary audio
taken from the day of the World Trade Centre attack and interviews he conducted
in the years afterwards.
The talk was
conducted in the style of a mock interview between him and Andrew Burke, Chief
Executive of the London Sinfonietta. Questions asked gave a fascinating insight
into the processes that Steve Reich goes through when composing his music: what
he does to treat vocal samples so that they can work with a musical ensemble; how he treats historic events that he composes about, and if he treats more
recent events (such as 9/11) any differently to the way in which he approaches
ones further in the past.
Steve Reich’s
talk comes ahead of a concert at the Dome Theatre in which he, along with the
London Sinfonietta, are performing a series of his seminal works, such as Clapping Music and Double Sextet along with a performance of a new work, Radio Rewrite, a new major work which
takes its inspiration from the music of Radiohead.
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